Chapter 12 images

Resource slideshow

Top image: A hand-drawn sketch – pencil on white paper – labelled ‘Colônia Indígena’ shows a layout of an Indigenous settlement with small houses, a larger house marked ‘Casa com Varanda’ [house with veranda], a building labelled ‘Escola’ [school], a fountain labelled ‘Chafariz’, trees, and a curved road marked ‘Rodovia BR-101’ [route BR-101] with a car or truck on it. Bottom image: A realistic AI-generated illustration of the Indigenous settlement sketched in Fig 12.3 top, with adobe or brick houses with tiled rooves, a central fountain labelled ‘Chafariz’ [fountain, in Portuguese], a large house with a veranda, palm trees, and a paved road curving through the scene under clear skies with a bicycle on it. The image is labelled ‘COLÔNIA INDÍGENA’ at the top and signed, bottom right, by Nhenety Kariri-Xocó.
Left image: An AI-generated book cover titled Uanie dawí dehó canghité caraí: Indígena usa coisas de branco [Indigenous Person Uses White People’s Things] by Nhenety Kariri-Xocó. The photograph on the cover shows an Indigenous man standing outdoors holding a smartphone and resting one hand on a bicycle. He is wearing a light-coloured shirt, jeans, a straw hat, and a beaded necklace. Behind are thatched-roof huts, a motorcycle, and a car on a dirt ground under a clear sky. Right image: An AI-generated book cover titled Pohiesawa, olho grande grava imagem [Big Eye Records Images] by Nhenety Kariri-Xocó. The photograph on the cover depicts, in the foreground, a bare-chested Indigenous man in profile and holding a video camera. He is wearing a red and black woven headband, a red beaded necklace and red and black body paint on his arms and face. In the background, a group of people stand in a clearing with hoes, surrounded by dense green forest.
Left image: An AI-generated book cover titled Mekuá, o grafismo na marca viva do povo [Body Painting as the Living ‘Brand’ of Our People] by Nhenety Kariri-Xocó. It shows two Indigenous women seated by a riverbank, holding and surrounded by several clay pots decorated with intricate geometric patterns. Their bodies are adorned with similar painted designs, and the background features calm water and greenery. The illustration has a realistic, painterly style with fine details in the body paint and pottery patterns. It evokes a traditional, cultural theme, emphasizing craftsmanship and heritage. Right image: An AI-generated book cover titled Pepéwahimy: jogar imagem na luz com mãos [Using One’s Hands to Play with Images Made of Light] by Nhenety Kariri-Xocó. It depicts a young Indigenous boy sitting outdoors at dusk, holding a glowing handheld device. Behind him are traditional thatched-roof huts and three seated figures in soft focus, with warm, muted earth tones throughout. The illustration has a realistic, painterly style with fine details. The glowing blue light from the handheld device adds a striking, cool contrast against the warm dusky background.
An AI-generated photograph of a woman (left) and a man (right) standing in a forest wearing elaborate Indigenous-style feathered headdresses and traditional-looking garments. The woman has layered blue and gold accessories and long braided hair, while the man wears a golden headdress with blue accents, thick braids, and a woven garment over his shoulders with a decorative chest piece. Both are wearing white and blue face paint. Soft light filters through the trees, creating a mystical atmosphere.

Figure 12.4

Showing image resource: Figure 12.4
Top: Indigenous Village, pencil drawing, 12 June 2025; bottom: image generated with ChatGPT based on the drawing, published on the author’s blog as ‘Caminhos da Colônia’ [The Village Streets], 12 June 2025.
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