Chapter 13 images

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Top image: A set of four AI-generated photographs showing an old Indigenous man walking across high-altitude grasslands near a deep blue lake, with snow-capped mountains in the distance. He is wearing layered, rustic clothing and a wide-brimmed hat, and carrying a wooden walking stick. Each scene captures different angles – front, side, and rear – against expansive landscapes with rocky paths, rolling hills, and open skies. The palette features earthy browns and greens contrasted with vivid blues, creating a serene, natural atmosphere emphasizing isolation and connection to land. Bottom image: Two colour photographs showing an old Indigenous man standing outdoors in a sunlit, open landscape with dry grass and distant hills under a clear blue sky. He is wearing a wide-brimmed hat, a grey sweater over a collared shirt, and loose blue trousers. In the image on the right one arm rests on a large standing stone with a rough, natural texture and reddish-brown colour. The background suggests a high-altitude rural setting.
A set of four AI-generated images depicting a bearded white man wearing a white medical coat and stethoscope surrounded by lush plants. The top-left image is a realistic photograph with deep green foliage and warm, moody lighting. The other three are stylized illustrations blending botanical and medical themes: vibrant compositions with earthy greens, terracotta pots, and muted pastel backgrounds.
A set of four AI-generated photographs. These cinematic scenes show a male figure cloaked in a flowing red garment together with a large Alsatian-type dog. seated on rocky cliffs overlooking misty cityscapes. The artistic style is hyper-realistic with fantasy undertones. Warm golden light contrasts with cool grey haze, creating depth and drama. The palette blends muted earth tones, soft greys, and glowing amber skies, with the vivid red cloak.
Two sets of four AI-generated photographs. The top set shows a young mother and an infant child, often working on some kind of craft. Two of the images are in outdoor settings, in the rainforest, with the figures sitting on the ground. Two look to be more studio images with neutral backgrounds. The individuals are wearing clothing, headdresses, jewellery and bodypainting or tattoos reminiscent of Amazonian Indigenous groups. The bottom set shows a woman – often an old woman – and a very young child sitting outdoors, weaving fibres together. Each pair is wearing vibrant, traditional-looking Andean clothing with multicoloured stripes and intricate patterns. They handle long strands of natural material, focusing on their craftwork, against soft, mountainous backgrounds.
Two sepia-toned old portraits of Mapuche women – identified as ‘indios araucanos’ [Araucanian Indians] from ‘Traiguen, South America, Chile’ in the text at the bottom of each and as having been taken by the photographer Gustavo Milet. The women both wear similar dark clothing and the same large silver necklace, earrings and broach. There is the hint of some background imagery in the image on the left; the image on the right fades out to only reveal the figure of the woman herself. Both women pose in a rigid fashion, looking straight at the camera and with a smile on their lips.
Two sepia-toned old portraits of Mapuche people. The image on the left, attributed to ‘Valck e hijo’ [Valck and son] in Valdivia, Chile shows an old man with copious silver hair sitting outside, wearing a traditional poncho as well as spurred riding boots and a wide-brimmed hat is visible on the floor. The background is blurred. The image on the right is of a group of three women and a child preparing food on the floor of a photographer’s studio. They are identified as ‘indios araucanos’ [Araucanian Indians] from ‘Traiguen, South America, Chile’ in the text at the bottom of the image and the photograph is attributed to Gustavo Milet. There is a gnarled, dead tree trunk in the middle of the image, straw on the ground and a screen in the backgrounds depicts a hazy natural environment including a classical plinth.

Figure 13.6

Showing image resource: Figure 13.6
Top: Aymara Grandfather Walking by Lake Titicaca, images generated with Midjourney v.5.1,May 2023. Bottom: Cicilio Ccopacati Quispe, Puno, Peru, ca. 1980, photograph.
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