Skip to main content

Books, Readers and Libraries in Fiction: Notes on contributors

Books, Readers and Libraries in Fiction
Notes on contributors
    • Notifications
    • Privacy
  • Project HomeBooks, Readers and Libraries in Fiction
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Title Page
  2. Copyright
  3. Contents
  4. List of figures
  5. Notes on contributors
  6. Acknowledgements
  7. Introduction: books, reading and libraries in fiction
    1. Notes
    2. Bibliography of secondary literature
  8. 1. Reading envisioned in the fourteenth and fifteenth centuries
    1. Notes
    2. Bibliography of secondary literature
  9. 2. ‘The gay part of reading’: corruption through reading?
    1. ‘[B]ooks of education and piety’
    2. ‘[G]ive me play-books, or mathematical ones’
    3. ‘[T]he gay part of reading’
    4. Conclusion
    5. Notes
    6. Bibliography of secondary literature
  10. 3. ‘Fling Peregrine Pickle under the toilet’: reading fiction together in the eighteenth century
    1. Reading right
    2. Communal reading
    3. Fiction and performance
    4. Notes
    5. Bibliography of secondary literature
  11. 4. Jane Austen’s refinement of the intradiegetic novel reader in Northanger Abbey: a study in Ricoeurian hermeneutics of recuperation
    1. Austen’s foil: the novel-induced corruption inside Roderick Random and The Female Quixote
    2. Austen’s early intradiegetic novels readers: Sense and Sensibility and Pride and Prejudice
    3. Austen’s playful endorsement of the visceral novel reader in Northanger Abbey
    4. Conclusion
    5. Notes
    6. Bibliography of secondary literature
  12. 5. Evaluating negative representations of reading: Ivan Turgenev’s Faust (1855)
    1. Goethe’s Faust, Part I (1828) and Turgenev’s Faust (1855)
    2. Negative representations of reading in Turgenev’s Faust
    3. Anxieties over fiction and the (mass) reading public
    4. Conclusion
    5. Notes
    6. Bibliography of secondary literature
  13. 6. ‘I spent all yesterday trying to read’: reading in the face of existential threat in Bram Stoker’s Dracula
    1. The characters as readers
    2. ‘Authoritative texts’ and critical thinking
    3. Reading with virtue
    4. Notes
    5. Bibliography of secondary literature
  14. 7. ‘Into separate brochures’: stitched work and a new New Testament in Thomas Hardy’s Jude the Obscure
    1. A re-arranged Bible
    2. Forensic bookbinding
    3. ‘An apostle of culture’
    4. Stitched work
    5. ‘I know something of the book’
    6. Notes
    7. Bibliography of secondary literature
  15. 8. ‘A fire fed on books’: books and reading in D. H. Lawrence’s Sons and Lovers
    1. Reading as cooperation
    2. ‘She sat reading alone, as she always did’
    3. ‘He went on reading, but she did not hear’
    4. The original book
    5. ‘A fire fed on books’
    6. A soul and a beast
    7. Les fleurs du mal
    8. An ear of wheat lost in the field
    9. Notes
    10. Bibliography of secondary literature
  16. 9. ‘I sometimes like to read a novel’: books and reading in Victorian adventure romance
    1. Leaving the books behind
    2. ‘This is no furniture for the scholar’s library’
    3. ‘A story like some ballad’
    4. ‘A mine of suggestion’
    5. ‘Speak like a book’
    6. Notes
    7. Bibliography of secondary literature
  17. 10. When it isn’t cricket: books, reading and libraries in the girls’ school story
    1. Notes
    2. Bibliography of secondary literature
  18. 11. The body in the library in the fiction of Agatha Christie and her ‘Golden Age’ contemporaries
    1. Notes
    2. Bibliography of secondary literature
  19. 12. ‘Very nearly magical’: books and their readers in Terry Pratchett’s Discworld series
    1. Powerful books
    2. The mighty text
    3. Clues, cows and karabasis
    4. Notes
    5. Bibliography of secondary literature
  20. Index

Notes on contributors

Karen Attar is Curator of Rare Books and University Art at Senate House Library, University of London, and a former Fellow of the university’s Institute of English Studies. She has published widely on aspects of library history, book collecting and librarianship. Her main publication is the third edition of the Directory of Rare Book and Special Collections in the United Kingdom and Republic of Ireland (2016). Girls’ school stories are a hobby.

Hannah Callahan studied literature and printmaking at Bennington College, and received her Masters degree in Library and Information Science at Simmons University. She has a background in rare books and bibliography and is a librarian and independent researcher based in Minneapolis, Minnesota.

Jane Suzanne Carroll is an Ussher Associate Professor in Children’s Literature in the School of English at Trinity College Dublin. Her teaching and research interests centre on landscape, spatiality and material culture in children’s fiction. She is the author of Landscape in Children’s Literature (2012) and British Children’s Literature and Material Culture: Commodities and Consumption, 1850–1914 (2021).

Monika Class is an associate professor of English literature at Lund University. Her research investigates the transformative potential of reading experiences in Britain from the eighteenth to the twenty-first centuries from the perspective of embodiment. As the Principal Investigator of the research group ‘The Visceral Novel Reader’ (DFG 422574378), she is working on a book manuscript under the same title and also on water poetry from the British Isles published between 2000 and 2024.

K. A. Manley is a retired librarian and co-convenor of the Seminar on the History of Libraries at the School of Advanced Study, University of London. His recent books include Books, Borrowers, and Shareholders: Scottish Circulating and Subscription Libraries before 1825 (2012) and Irish Reading Societies and Circulating Libraries Founded before 1825 (2018).

Andrew Nash is Reader in Book History and Director of the London Rare Books School in the Institute of English Studies, University of London. He has written, edited or co-edited books on Scottish literature, Victorian literature and the history of the book, including the final volume of The Cambridge History of the Book in Britain (2019) covering the twentieth century and beyond. He is a past editor of the Review of English Studies.

Rahel Orgis works as a scientific collaborator at the University Library, Bern. She is the author of Narrative Structure and Reader Formation in Lady Mary Wroth’s Urania (2017) and co-editor of Fashioning England and the English: Literature, Nation, Gender (2018). Her articles on early modern prose fiction and drama have appeared in Renaissance Studies, ELR, Sidney Journal and SPELL. She is currently researching the development of narrators in early modern fiction.

Daniel Sawyer is a departmental lecturer in English literature and manuscript studies at Oxford. He studies poetry, manuscripts and editing, focusing on the period 1100 to 1500. His latest book is How to Read Middle English Poetry (2024), and he is currently writing a new account of poetic innovation in early English.

Lucy Sixsmith completed her PhD thesis, ‘Handling Bibles in the Nineteenth Century’, at the University of Cambridge in 2023. She has published work in Book History, Cambridge Quarterly and Textual Practice.

Shafquat Towheed is Senior Lecturer in English and Director of Research for the School of Arts and Humanities at The Open University. He has published extensively on nineteenth- and twentieth-century literature, particularly on the history and practice of reading. His most recent publication (with Corinna Norrick-Rühl) is Bookshelves in the Age of the COVID-19 Pandemic (2022). He is Vice President of the Society for the History of Authorship, Reading and Publishing (SHARP).

Susan Watson read English at Cambridge and completed a PhD in creative writing at Goldsmiths, University of London. Her thesis consisted of a collection of poems and lyric essays that respond to and pursue a dialogue with the work of other writers, particularly D. H. Lawrence and Virginia Woolf. The critical component of her research was a study of the work of the poet Anne Carson, who also writes about other writers.

Abigail Williams is Professor of English Literature and Lord White Tutorial Fellow, St Peters College, University of Oxford. Her publications include The Social Life of Books: Reading Together in the Eighteenth-Century Home (2017) and Reading It Wrong: An Alternative History of Early Eighteenth-Century Literature (2023).

Annotate

Next Chapter
Acknowledgements
PreviousNext
© the Authors 2025
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org