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Books, Readers and Libraries in Fiction: Index

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table of contents
  1. Title Page
  2. Copyright
  3. Contents
  4. List of figures
  5. Notes on contributors
  6. Acknowledgements
  7. Introduction: books, reading and libraries in fiction
    1. Notes
    2. Bibliography of secondary literature
  8. 1. Reading envisioned in the fourteenth and fifteenth centuries
    1. Notes
    2. Bibliography of secondary literature
  9. 2. ‘The gay part of reading’: corruption through reading?
    1. ‘[B]ooks of education and piety’
    2. ‘[G]ive me play-books, or mathematical ones’
    3. ‘[T]he gay part of reading’
    4. Conclusion
    5. Notes
    6. Bibliography of secondary literature
  10. 3. ‘Fling Peregrine Pickle under the toilet’: reading fiction together in the eighteenth century
    1. Reading right
    2. Communal reading
    3. Fiction and performance
    4. Notes
    5. Bibliography of secondary literature
  11. 4. Jane Austen’s refinement of the intradiegetic novel reader in Northanger Abbey: a study in Ricoeurian hermeneutics of recuperation
    1. Austen’s foil: the novel-induced corruption inside Roderick Random and The Female Quixote
    2. Austen’s early intradiegetic novels readers: Sense and Sensibility and Pride and Prejudice
    3. Austen’s playful endorsement of the visceral novel reader in Northanger Abbey
    4. Conclusion
    5. Notes
    6. Bibliography of secondary literature
  12. 5. Evaluating negative representations of reading: Ivan Turgenev’s Faust (1855)
    1. Goethe’s Faust, Part I (1828) and Turgenev’s Faust (1855)
    2. Negative representations of reading in Turgenev’s Faust
    3. Anxieties over fiction and the (mass) reading public
    4. Conclusion
    5. Notes
    6. Bibliography of secondary literature
  13. 6. ‘I spent all yesterday trying to read’: reading in the face of existential threat in Bram Stoker’s Dracula
    1. The characters as readers
    2. ‘Authoritative texts’ and critical thinking
    3. Reading with virtue
    4. Notes
    5. Bibliography of secondary literature
  14. 7. ‘Into separate brochures’: stitched work and a new New Testament in Thomas Hardy’s Jude the Obscure
    1. A re-arranged Bible
    2. Forensic bookbinding
    3. ‘An apostle of culture’
    4. Stitched work
    5. ‘I know something of the book’
    6. Notes
    7. Bibliography of secondary literature
  15. 8. ‘A fire fed on books’: books and reading in D. H. Lawrence’s Sons and Lovers
    1. Reading as cooperation
    2. ‘She sat reading alone, as she always did’
    3. ‘He went on reading, but she did not hear’
    4. The original book
    5. ‘A fire fed on books’
    6. A soul and a beast
    7. Les fleurs du mal
    8. An ear of wheat lost in the field
    9. Notes
    10. Bibliography of secondary literature
  16. 9. ‘I sometimes like to read a novel’: books and reading in Victorian adventure romance
    1. Leaving the books behind
    2. ‘This is no furniture for the scholar’s library’
    3. ‘A story like some ballad’
    4. ‘A mine of suggestion’
    5. ‘Speak like a book’
    6. Notes
    7. Bibliography of secondary literature
  17. 10. When it isn’t cricket: books, reading and libraries in the girls’ school story
    1. Notes
    2. Bibliography of secondary literature
  18. 11. The body in the library in the fiction of Agatha Christie and her ‘Golden Age’ contemporaries
    1. Notes
    2. Bibliography of secondary literature
  19. 12. ‘Very nearly magical’: books and their readers in Terry Pratchett’s Discworld series
    1. Powerful books
    2. The mighty text
    3. Clues, cows and karabasis
    4. Notes
    5. Bibliography of secondary literature
  20. Index

Index

A

  • adventure romance/adventure fiction, 10, 163–80, 193, 205, 216
  • Alcott, Louisa May, 4
  • Little Women, 4, 187, 188, 189, 190
  • American Library Association (ALA), 112, 118, 120
  • Anstey, F. (Thomas Anstey Guthrie)
  • Vice Versa: A Lesson to Fathers, 189
  • Austen, Jane, 6–7, 75–94, 108, 182, 186, 189, 190
  • Mansfield Park, 6, 65, 67–9
  • Northanger Abbey, 6–7, 75–9, 82–9, 126
  • Pride and Prejudice, 82, 186
  • Sense and Sensibility, 82

B

  • Ballad-books, 45, 176–7
  • Balzac, Honoré de, 148, 157
  • Barham, R. H.
  • Ingoldsby Legends, 163
  • Barr, Robert
  • ‘Lord Chizelrigg’s Missing Fortune’, 216
  • Barrie, J. M.
  • The Little Minister, 187
  • Baudelaire Charles, 145, 153–5, 158
  • ‘Le Balcon’, 153–5
  • Les Fleurs du Mal, 158
  • Beattie, James, 77
  • Beddoes, Thomas, 80
  • Bentinck, Hans Willem (First Earl of Portland), 51
  • Bewick, Thomas
  • A History of British Birds, 1–2, 12
  • Bible/bibles, 7, 9, 125–44, 145, 149, 150–51, 159, 160n11, 163, 164–5, 175–7, 179, 182
  • Family, 133
  • Imperial Family Bible, 135–6
  • New Testament, 4, 9, 125–40
  • Old Testament, 133, 163
  • Bible Society, 133, 135
  • Bodleian Library, 214–15
  • Boethius
  • Da Consolatione Philosophiae, 26
  • bookbinding/bookbindings, 28, 126–32, 135–8, 176–7, 213–14
  • women in, 132, 137–8
  • bookcases, 1–2, 7, 67, 172, 188, 207, 213, 216. See also bookshelves
  • book collectors (fictional), 50, 113, 208–10, 212–14
  • books
  • destruction of, 5, 13, 114, 129–30, 152, 173, 174–6, 189, 215, 233
  • illustrations in, 1–2, 52, 99, 174, 187 (see also picture books)
  • manuscript, 13, 28, 30–32
  • materiality of, 2, 9, 10, 22, 25, 28, 125–40, 166–7, 174–6, 212
  • non-codical forms, 27–8, 32–3, 165–7, 226, 233
  • order of, 11, 12, 132–4, 207, 213–14
  • physical engagement with, 24–5, 26–7, 125–6, 129–32, 135–9. See also reading, embodied
  • physicality of, 2, 4, 20, 22, 33, 125–6, 129–33, 135, 140, 195
  • smell of, 11, 169, 206, 209, 214–15, 217
  • bookshelves, 13, 60, 188, 192, 195, 205, 207, 210, 213, 215, 220n55, 227. See also bookcases
  • Bradbury, Ray
  • Fahrenheit 451, 13
  • Braddon, Mary
  • The Doctor’s Wife, 8
  • Lady Audley’s Secret, 211
  • Brent-Dyer, Elinor, 184–99
  • Chalet School series, 10, 183, 184–95
  • British Museum, 112
  • British Museum Library, 11, 12, 194
  • Brontë, Charlotte
  • Jane Eyre, 1–2, 3–4, 7, 14n2
  • Bruce, Dorita Fairlie, 192
  • The Senior Prefect, 181–2
  • Buchan, John, 189, 190
  • John Burnet of Barns, 168–9
  • Mr Standfast, 4
  • Salute to Adventurers, 164
  • Buchan Anna (O. Douglas), 189, 198n62
  • Bunyan, John
  • The Pilgrim’s Progress, 3–4
  • Burnett, Frances Hodgson
  • The Secret Garden, 189
  • Burney, Fanny, 182
  • Evelina, 64, 186
  • The Wanderer, 72n29

C

  • Carroll, Lewis, 189, 205, 211
  • Cavendish, Margaret, 6, 42–56
  • ‘Assaulted and Pursued Chastity’, 42–3, 45–50, 52–3
  • ‘Heaven’s Library’, 52, 55n52
  • Natures Pictures Drawn by Fancies Pencil to the Life, 52–3
  • ‘She Anchoret’, 52, 55n32
  • The Unnatural Tragedy, 55n32
  • The Worlds Olio, 55n30, 55n32
  • censorship, 106–7, [118], 186
  • Cervantes, Miguel de, 5
  • Don Quixote, 5, 77, 81, 98, 105 (see also quixotism)
  • Chambers, Jessie, 146, 151–3, 156
  • D. H. Lawrence: A Personal Record, 146, 151–2
  • chapbooks, 165
  • Chaucer, Geoffrey, 21–6, 27, 32
  • the Book of the Duchess, 23–4, 25, 26
  • Parliament of Fowls, 24–6
  • Troilus and Criseyde, 21–3, 28–9
  • Chesterton, G. K., 127
  • ‘The Doom of the Darnaways’, 212
  • Christie, Agatha, 203–8, 211, 216–17
  • After the Funeral, 207
  • And Then There Were None, 207
  • Death in the Clouds, 207
  • ‘Greenshaw’s Folly’, 211
  • Lord Edgware Dies, 211
  • Murder in Mesopotamia, 211
  • Murder is Easy, 208
  • Murder on the Orient Express, 207
  • ‘Philomel Cottage’, 216
  • Spider’s Web, 207–8
  • ‘Strange Jest’, 220n56
  • The Body in the Library, 208
  • ‘The King of Clubs’, 217
  • ‘The Love Detectives’, 217
  • The Murder of Roger Ackroyd, 203
  • The Mysterious Affair at Styles, 206–7
  • The Seven Dials Mystery, 217
  • The Sittaford Mystery, 207
  • ‘The Strange Case of Sir Arthur Carmichael’, 216
  • ‘Three Blind Mice’, 217
  • codex/codices, 27, 32
  • Codrington, Robert, 44, 47, 48, 50
  • The Second Part of Youths Behaviour, 45
  • Collins, Wilkie, 106, 187
  • ‘The Unknown Public’, 106
  • The Woman in White, 187
  • conduct books, 5, 41–3, 44–9, 52–3, 60, 61, 82
  • contents tables, 31
  • Coolidge, Susan, 189
  • What Katy Did, 189
  • Co-operative Women’s Guild, 146, 147
  • Courtney, Gwendoline
  • At School with the Stanhopes, 182

D

  • Daly, Elizabeth, 206
  • Nothing Can Rescue Me, 212
  • The Book of the Crime, 212
  • The Book of the Dead, 212
  • Darch, Winifred, 192, 196n25
  • Heather at the High School, 184
  • The New School and Hilary, 196n21
  • The Upper Fifth in Command, 183
  • Daudet, Alphonse
  • Lettres de mon Moulin, 157
  • Tartarin de Tarascon, 157
  • de la Fayette, Madame
  • La Princesse de Clèves, 88
  • de Ségur, Comtesse
  • Les Malheurs de Sophie, 190
  • Les Petites Filles Modèles, 205–6
  • detective fiction, 10–11, 171, 193, 203–24, 232
  • Dickens, Charles, 100, 106, 151, 189, 190, 210
  • Dombey and Son, 188
  • Great Expectations, 137
  • Hard Times, 100
  • Nicholas Nickleby, 187
  • Dickson Carr, John
  • The Shadow of the Goat, 210–11
  • dreams/dreaming, 10, 12, 33, 62, 167, 173, 193, 216. See also dream-vision poems
  • dream-vision poems, 9, 23–33
  • du Bosc, Jacques
  • L’Honneste Femme, 41, 43, 45, 46, 50

E

  • e-books, 33
  • Edgeworth, Maria
  • Belinda, 5–6
  • education, 43–6, 98, 100–101, 106–8, 146–7, 160n3, 161n13, 164, 186, 188, 193, 195, 199n89, 203, 205. See also reading, as/for education
  • women’s, 43–6, 48–9, 51–3, 84, 134–7, 146
  • Eliot, George, 151
  • Adam Bede, 136–7
  • Middlemarch, 137
  • The Mill on the Floss, 7
  • Énault, Louis, 190
  • Ende, Michael
  • Die unendliche Geschichte (The Neverending Story), 12
  • Enfield, William, 68
  • The Speaker, 68–9
  • Essay in Defence of the Female Sex [anon], 48
  • Ewing, Juliana Horatia, 188, 189

F

  • fantasy, 49, 63, 66, 76, 81. See also fantasy fiction
  • fantasy fiction, 11, 12–13, 225–37
  • fictio, 29
  • fiction-reading, 5, 59–67, 75–89, 95–6, 100–101, 105–8, 151–2, 153, 159, 163, 170, 183, 186–7, 192, 193, 198n62, 210, 228
  • opposition to, 44, 61–4, 66–7, 76, 95–6, 106–8
  • positive representations of, 6–7, 65–6, 75–8, 82–3, 86–9
  • Flaubert, Gustave
  • Madame Bovary, 8
  • Fordyce, James, 60
  • Sermons for Young Women, 60, 82
  • Forest, Antonia
  • The Cricket Term, 183, 194–5
  • frontispieces, 52, 166, 174–5

G

  • Garnett, Edward, 161n15
  • genre, 4–5, 6, 10–13, 42–50, 171–2
  • ghost stories, 12, 163, 193
  • Gilbert, Anthony (Lucy Malleson)
  • The Black Stage, 216
  • Gisborne, Thomas, 61
  • Gissing, George
  • New Grub Street, 12
  • Goethe, Johann Wolfgang von
  • Faust, Part I, 96–9, 101–4
  • Faust, Part II, 97, 99
  • Gogol, Nikolai, 107
  • Dead Souls, 107
  • Goncharov, Ivan, 107
  • Goodreads, 108
  • Gothic novels, 82–5, 87–8
  • Green, Anna Katharine
  • The Leavenworth Case, 207
  • Greuze, Jean-Baptiste, 62
  • Lady Reading the Letters of Heloise and Abelard, 62–3

H

  • Haggard, Henry Rider, 10, 151
  • King Solomon’s Mines, 163, 166–7, 170, 172, 177n2
  • She, 165–6, 168
  • handwriting, 24–5
  • Hardy, Thomas
  • Jude the Obscure, 9–10, 125–44
  • Tess of the D’Urbervilles, 128
  • Hebert, Rev. Charles, 134
  • Henryson, Robert
  • The Testament of Cresseid, 9, 27–9, 32
  • Henty, G. A., 189, 205
  • Heyer, Georgette, 186
  • Hickes, George, 44
  • Hill, Aaron, 65–6
  • historical novels/fiction, 153, 190, 191, 193
  • histories/history books, 44, 45, 46–8, 53, 55n32, 56n52, 165
  • Hood, Thomas, 145
  • ‘Fair Ines’, 154, 155–6
  • Horace, 164
  • Household Words, 100, 106
  • Huet, Pierre Daniel
  • Traité de l’origine des romans, 52
  • Hull, Richard (Richard Henry Sampson)
  • The Murder of My Aunt, 210

I

  • Inchbald, Elizabeth
  • Lovers’ Vows, 67–9
  • incunabula, 209
  • information, 8–9, 111–20, 207. See also information literacy
  • information age, 33, 111, 120
  • information literacy, 111–12, 114, 116–20
  • Innes, Michael (J. I. M. Stewart), 203, 212–13
  • Death at the President’s Lodgings, 213–14
  • Operation Pax, 214–15
  • The Long Farewell, 214
  • interiority, 10, 20–21, 62, 67, 86
  • intertextuality, 3–4, 98, 99, 172, 186, 190–91

J

  • James, Henry
  • The Portrait of a Lady, 7–8
  • James, M. R. 12
  • ‘Casting the Runes’, 12
  • ‘The Tractate Middoth’, 12
  • James I of Scotland
  • The Kingis Quair, 9, 26–7, 28, 32
  • Jowett, Benjamin, 126
  • Joyce, James
  • A Portrait of the Artist as a Young Man, 148

K

  • Kingsley, Charles, 189
  • Kipling, Rudyard, 185, 189, 190, 210
  • Knox, Vicesimus, 61
  • Elegant Extracts, 69–70

L

  • Lang, Andrew, 178n18, 189
  • LaPorte, Charles, 126
  • Lawrence, D. H., 145–62
  • Sons and Lovers, 9–10, 145–62
  • Laws, Betty
  • The New Head—and Barbara, 183
  • Lennox, Charlotte,
  • The Female Quixote, 79, 80–81, 88
  • Lewes, G. H., 97
  • librarians/librarianship, 12–13, 194, 208, 216, 227
  • libraries, 7, 10–13, 50–51, 56n52, 146, 151–3, 161n15, 168–9
  • authors’, 97, 205–6, 218n15
  • chained, 227
  • circulating/subscription, 61, 78, 82, 146, 209, 216
  • country house, 205, 206–7, 214, 216, 217
  • in detective fiction, 10–11, 203–17
  • family, 205–6, 208–9, 212
  • in fantasy fiction, 11, 12–13, 226–8
  • in ghost stories, 12
  • Mechanics Institute, 146, 151–2, 160n3
  • personal (fictional), 5, 7, 29, 113, 172, 206–7, 208–11 (see also book collectors (fictional))
  • school, 187, 193–5
  • in school stories, 187, 190, 193–5
  • women’s, 45
  • literacy, 106–7, 111, 150, 226, 228, 233. See also information literacy
  • Lodge, David
  • The British Museum Is Falling Down, 11–12
  • London Library, 209, 215
  • Lydgate, John, 30
  • ‘Fifteen Joys and Sorrows of Mary’, 30–32

M

  • MacDonald, George, 12, 185, 189
  • Lilith, 12–13
  • Mackenzie, Henry, 61
  • Maistre, Xavier de
  • Voyage autour de ma Chambre, 157–8
  • Makin, Bathsua, 48
  • male readers, 71n6, 82, 84–5
  • Manley, Delarivier, 6, 42–56
  • The New Atalantis, 42–4, 46, 50–53
  • Mannyng, Robert
  • Handlyng Synne, 19–20
  • maps, 166, 173–5, 212
  • Marlowe, Christopher
  • Doctor Faustus, 98
  • Marsh, Ngaio
  • Singing in the Shrouds, 219n27
  • Martineau, Harriet, 60
  • Mason, A. E. W.
  • The House of the Arrow, 210
  • mathematics/mathematical books, 6, 45, 47–9, 53, 168
  • Matthewman, Phyllis, 192
  • The Intrusion of Nicola, 183–4
  • Mérimée, Prosper
  • ‘Columba’, 157
  • metafiction/meta-poetics, 2–3, 42–3, 49–50, 52–3, 67, 75–6
  • metanarrative, 99, 115–16
  • moral philosophy. See philosophy/philosophical books
  • Mossop, Irene
  • Well Played, Juliana!, 182

N

  • natural philosophy, 46, 168–9
  • newspapers, 117, 146—7, 150, 189, 226, 230, 232
  • novel-reading. See fiction reading

O

  • O’Brien, Sean
  • The Silence Room, 12
  • Oliphant, Margaret
  • ‘The Library Window’, 12
  • orality, 117, 164, 166, 169–71, 173, 175, 177, 236
  • Orwell, George,
  • Nineteen Eighty-Four, 13
  • Ovid, 50, 62, 167
  • Metamorphoses, 23, 148
  • Oxenham, Elsie J., 181, 192

P

  • Palgrave’s Golden Treasury of Songs and Lyrics, 146, 155, 157, 160n4
  • paper, 11, 126, 135–6, 166–7, 174–6
  • Pepys, Elizabeth, 45
  • Pepys, Samuel, 48
  • philosophy/philosophical books (see also natural philosophy), 7, 44, 47, 213–14
  • phonographs, 116, 118
  • picture books, 225, 231, 233–7
  • Piozzi, Hester Thrale, 135–6
  • playbooks, 6, 44–5, 47–9, 53, 84, 151, 174, 186. See also plays
  • plays, 44, 48, 55n34, 67–70
  • poetry, 33, 44, 62, 69–70, 84, 100–101, 147, 148, 153–8
  • Pratchett, Terry, 11
  • Carpe Jugulum, 229
  • Discworld series, 11, 225–37
  • Feet of Clay, 231, 233
  • Guards! Guards!, 227, 231
  • Monstrous Regiment, 228
  • Night Watch, 231, 232
  • Soul Music, 227–8
  • The Light Fantastic, 227
  • The Truth, 225
  • Thud!, 231, 233
  • Where’s my Cow?, 231, 233–7
  • prefaces/prefatory material, 4, 43, 53, 65, 68–9
  • Price, Leah, 9, 126, 138,

Q

  • Queen, Ellery, 206
  • The Finishing Stroke, 206
  • The French Powder Mystery, 206
  • quire/quires, 9, 27–9, 32
  • quixotism, 5–8, 77, 82, 88–9

R

  • Radcliffe, Ann, 83–5, 87
  • The Mysteries of Udolpho, 64, 84–5, 87
  • The Romance of the Forest, 83, 85
  • reading
  • aloud, 20, 65, 102–4, 147, 148–9, 153–4, 157, 185, 233–4 (see also recitation)
  • child, 1–2, 10, 12, 43, 61–2, 66, 84, 101, 168, 172–4, 181–95, 205–6, 230–31, 233–7
  • communal, 9–10, 20–22, 33, 62–6, 98–9, 102–3, 108, 111–12, 116–120, 145–7, 148–9, 151–4, 159, 182, 185–7, 195, 219n27, 234–7
  • dangers of, 5–6, 41–4, 50–53, 59, 61–6, 69–70, 79–82, 95–6, 98–9, 103–9, 114, 166, 193, 227–8, 233 (see also reading, negative representations of)
  • devotional, 30–32
  • digital, 32–3
  • distracted, 8, 62, 112, 167–8
  • domestic/home, 21–2, 60, 62–70, 78 (see also reading, family)
  • as/for education, 4, 5, 7, 9–10, 41, 43–5, 47–53, 84, 98–100, 107–8, 146–7, 160, 189–90, 193
  • embodied, 9, 24, 26–7, 83–5
  • as empowerment, 7, 52, 116, 119–20, 230
  • envisioned/imagined, 3, 9, 19–39
  • family (see domestic/home)
  • future of, 32–3
  • history of, 2, 26, 59–60
  • identification with, 5–6, 8, 10, 61–2, 63–4, 70, 83–6, 95, 98–9, 103–5, 151–2, 153, 188 (see also quixotism)
  • intradiegetic, 75–94, 183–4, 191–2
  • metaphors of/for, 61–2, 66, 152
  • negative representations of, 8, 76, 80–81, 88, 95–110, 182–4, 228 (see also reading, dangers of)
  • non-codical, 25–8, 32–3, 117–18, 226
  • as performance, 60, 65, 66–70 (see also recitation) physical sensation of, 66, 85, 102–3, 170–71, 172 (see also reading, embodied)
  • prohibitions on, 44, 101, 107
  • shared (see reading, communal)
  • silent, 20, 64–5, 85, 108, 147–8, 170–71
  • social (see reading, communal)
  • solitary, 20–21, 61–4, 114, 147–8, 159, 167, 170–71
  • visceral, 78–9, 82–6, 89 (see also reading, embodied)
  • and visionary experience, 20–32
  • visual representations of, 62–3, 71n11
  • and writing, 22, 25, 113–15, 117–18, 163, 168, 171, 173, 183–4, 228, 232
  • reading publics, 106–9, 120
  • recitation, 68–70
  • Reeve, Clara, 77
  • Richardson, Samuel, 64–6, 87
  • Clarissa: Or, The History of a Young Lady, 140
  • Pamela in Her Exalted Condition, 64
  • Pamela: Or Virtue Rewarded, 65–6
  • Ricoeur, Paul, 77–8, 79, 86
  • Freud and Philosophy, 77
  • Time and Narrative, 77, 88
  • romance/romances, 22, 23, 41, 43–6, 49–50, 77, 80–81, 87. See also adventure romance/adventure fiction
  • Roman de Thébes, 22. See also Statius
  • Ruskin, John, 188, 189

S

  • Sayers, Dorothy L., 189, 193, 203, 205, 208–9
  • Clouds of Witness, 211
  • Gaudy Night, 215
  • Have His Carcase, 211
  • ‘The Dragon’s Head’, 212
  • ‘The Professor’s Manuscript’, 220n55
  • The Unpleasantness at the Bellona Club, 211
  • Unnatural Death, 209
  • Whose Body?, 187, 208–9
  • school stories, 10, 181–202, 205
  • science fiction, 13
  • Scott, Sir Walter, 82, 145, 151–3, 155–6, 189, 190
  • Ivanhoe, 153
  • ‘Marmion’, 7
  • Quentin Durward, 187
  • The Bride of Lammermoor, 153
  • The Lady of the Lake, 147
  • Shaftesbury, Seventh Earl (Anthony Ashley-Cooper), 135
  • Shakespeare, William, 82, 84, 163, 186, 189, 190, 195, 212, 214
  • Hamlet, 68, 82
  • Macbeth, 146
  • The Tempest, 212
  • Sharp, Granville, 133
  • Sheridan, Richard, 182
  • The Rivals, 60–61, 189
  • Sidney, Sir Philip, 46
  • Arcadia, 45
  • Smith, Charlotte
  • Emmeline: or The Orphan of the Castle, 64–5
  • Smollett, Tobias, 182
  • The Adventures of Roderick Random, 79–80, 88
  • The Expedition of Humphry Clinker, 188
  • social media, 33, 108
  • Spurgeon, Charles, 125
  • Statius
  • Thebaid, 22
  • Stendhal (Marie-Henri Beyle)
  • Le Rouge et le Noir, 8
  • Stevenson, Robert Louis, 10, 151, 171
  • ‘A Gossip on a Novel of Dumas’s’, 170–71
  • ‘A Gossip on Romance’, 167
  • ‘A Penny Plain and Twopence Coloured’, 174
  • Kidnapped, 164–5, 167, 170, 172
  • ‘Popular Authors’, 174
  • ‘Rosa Quo Locorum’, 172
  • ‘Talk and Talkers’, 173
  • Treasure Island, 167, 171, 172–7
  • Stoker, Bram
  • Dracula, 8–9, 111–22
  • Swan, Annie S., 145, 149, 160n10

T

  • Tennyson, Alfred, Lord, 146
  • Idylls of the King, 156
  • ‘The Beggar Maid’, 161n16
  • Thackeray, William Makepeace, 4, 189, 210
  • Vanity Fair, 95
  • Times Book Club, 209
  • Tissot, Samuel Aguste, 80
  • Turgenev, Ivan, 95–105, 107
  • A Sportsman’s Sketches, 100
  • Faust, 8, 96–105, 107–9
  • and Goethe, 97–8
  • type/typography, 2, 11, 165, 195, 229
  • typewriting, 116
  • typology, 11, 133

U

  • Uncial, 165–6

V

  • von Arnim, Bettina, 97
  • Goethes Briefwechsel mit einem Kinde (‘Goethe’s Correspondence with a Child’), 97
  • von Schurman, Anna, 48

W

  • Walker, Patrick, 165
  • Biographia Presbyteriana, 165
  • Wallace, Edgar
  • The Books of Bart, 210
  • The Door with Seven Locks, 215–16
  • Wilde, Oscar, 189
  • The Portrait of Dorian Gray, 95
  • Wolfreston, Frances, 45
  • Wollstonecraft, Mary, 62–3
  • women readers, 5–8, 41–53, 60–66, 80–89, 98–105, 118
  • Woolf, Virginia
  • To the Lighthouse, 148
  • Woolley, Hannah
  • The Gentlewomans Companion, 48
  • Wordsworth, William, 145, 154–6, 157, 158, 189
  • ‘Lucy Gray’, 155
  • Lyrical Ballads, 155
  • ‘The Solitary Reaper’, 154, 155, 156

Y

  • Yonge, Charlotte M., 187, 189, 190, 205

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