Skip to main content

Becoming a Historian: Acknowledgements

Becoming a Historian
Acknowledgements
  • Show the following:

    Annotations
    Resources
  • Adjust appearance:

    Font
    Font style
    Color Scheme
    Light
    Dark
    Annotation contrast
    Low
    High
    Margins
  • Search within:
    • Notifications
    • Privacy
  • Project HomeBecoming a Historian
  • Projects
  • Learn more about Manifold

Notes

table of contents
  1. Cover
  2. Title
  3. Copyright
  4. Contents
  5. About the authors
  6. Acknowledgements
  7. A note on readership
  8. Preface
  9. Part I: Starting, assessing, organizing
    1. 1. Joining the through-time community of historians
    2. 2. Launching the research project
    3. 3. Shared monitoring of the timetable
    4. 4. Finding well-attested evidence
    5. 5. Probing sources and methodologies
    6. 6. Managing masses of data
  10. Part II: Writing, analysing, interpreting
    1. 7. Writing as a historian
    2. 8. Doing it in public: historians and social media
    3. 9. Unblocking writer’s block or, better still, non-blocking in the first place
    4. 10. Using technology creatively: digital history
    5. 11. Assessing some key research approaches
    6. 12. Troubleshooting
  11. Part III: Presenting, completing and moving onwards
    1. 13. The art of public presentation
    2. 14. Asking and answering seminar questions
    3. 15. Chairing seminars and lectures
    4. 16. Taking the last steps to completion
    5. 17. Experiencing the viva
    6. 18. Moving on to publication and civic engagement
  12. Part IV: Taking the long view – career outcomes
    1. 19. Academic and parallel trackways
  13. Part V: Reflecting
    1. 20. Retrospective thoughts
  14. Select reading list
  15. Index

Acknowledgements

With warm thanks to Caroline Barron, Tony Belton, Peter D’Sena, Sonia Hitchcock, Alina McClennan, Doug Munro, Kendra Packham, Stephen Sobey and Jeremy Tee for constructive input; to the stringent anonymous assessors of an early draft text; to Susan Whyman for a perceptive critique of the penultimate version; and to all friends and fellow historians.

Special acknowledgement to the illustrator

The apt illustrations have all been devised by Edwina Hannam, in consultation with the authors, who appreciate her wit, style and visual artistry.

Copyright acknowledgements

Edward Gibbon by Henry Walton © National Portrait Gallery, London (ref: 1443).

Photograph of Gerda Lerner. Gerda Lerner, c.1981. Image #S05705 (Uwar01534x). UW-Madison Archives. CC BY 3.0.

Bromide print of E. P. Thompson in National Portrait Gallery NPG P473 © Steve Pyke (1989).

Photograph of Natalie Zemon Davis. Marit Hommedal/SCANPIX (2010). CC BY 2.0.

Photograph of David Olusoga © Ollie Smith at Epigram (2018).

Photograph of Olivette Otele © JLK (2020).

Edward Gibbon by Unknown Artist © National Portrait Gallery, London (ref: 3317).

Annotate

Next Chapter
A note on readership
PreviousNext
© Penelope J. Corfield and Tim Hitchcock 2022
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org