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Democratising History: List of figures

Democratising History
List of figures

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Notes

table of contents
  1. Cover
  2. Title
  3. Copyright
  4. Contents
  5. List of figures
  6. Notes on contributors
  7. Introduction: democratising history inside and out
  8. Interlude A. New challenges: teaching Modern History in a ‘new university’
  9. Part I. Victorian Britain, progress and the wider world
    1. 1. Opium, ‘civilisation’ and the Anglo-Chinese Wars, 1839–60
    2. 2. Archibald Alison’s revolution
    3. Interlude B. Peter and the special relationship
  10. Part II. Culture, consumption and democratisation in Britain since the nineteenth century
    1. Interlude C. Olden times and changing times: museum interpretation and display in twenty-first-century Britain
    2. 3. Painting for pleasure: the rise and decline of the amateur artist in Victorian Britain
    3. 4. Collecting for the nation: the National Art Collections Fund and the gallery-visiting public in interwar Britain
    4. Interlude D. Professionalisation, publishing and policy: Peter Mandler and the Royal Historical Society
  11. Part III. ‘Experts’ and their publics in twentieth-century Britain
    1. Interlude E. Accountability and double counting in research funding for UK higher education: the case of the Global Challenges Research Fund
    2. 5. Reluctant pioneers: British anthropologists among the natives of modern Japan, circa 1929–30
    3. 6. An American Mass Observer among the natives: Robert Jackson Alexander in Second World War Britain
    4. 7. Architecture and sociology: Oliver Cox and Mass Observation
    5. 8. Re-reading ‘race relations research’: journalism, social science and separateness
    6. Interlude F. The Historical Association, schools and the History curriculum
    7. 9. ‘Democracy’ and ‘expertise’ in two secondary modern schools in Liverpool, 1930–67
  12. Index

List of figures

0.1  The male occupational structure of England and Wales (percentage of the labour force), 1600–2011. Source: Occupational Structure of Britain Project: testamentary database: parish register database: national censuses: I-CeM: C.H. Lee: UK Dataservice. Reproduced by permission of CAMPOP.

3.1  Professional and amateur artists opening new accounts with Roberson 1820–1939.

3.2  Single-order accounts, by date.

3.3  Roberson’s ‘retail branch’ in temporary accommodation on Piccadilly circa 1904, during the construction of the Ritz Hotel, its eventual location. Author’s collection.

3.4  Mildred Holland’s ceiling paintings in St Mary’s church, Huntingfield, Suffolk. Photo: author.

3.5  Combination pocket sketch book and palette in catalogue dated circa 1899–1906. Author’s collection.

3.6  The ‘belt’ easel in catalogue dated circa 1899–1906. Author’s collection.

7.1  Oliver Cox, Rural Plan, 1939. Architectural Association Archives.

7.2  Anthony Cox and Unit 15, ‘Plan for Faringdon, Berkshire’, 1936.

7.3  Oliver Cox’s 1948 satirical drawing of the ‘revolution’ at Bedford Square. Plan 1, Architectural Students Association Journal (1948), p. 3.

7.4  Fulham Survey cover, showing a map of Strode Road. Reproduced with permission of Curtis Brown Group Ltd, London on behalf of The Trustees of the Mass Observation Archive © The Trustees of the Mass Observation Archive.

7.5  Strode Road elevation in the Fulham Social Survey. Reproduced with permission of Curtis Brown Group Ltd, London on behalf of The Trustees of the Mass Observation Archive © The Trustees of the Mass Observation Archive.

7.6  A mantelpiece in the Fulham Social Survey, with a self-portrait of Cox in the reflection. Reproduced with permission of Curtis Brown Group Ltd, London on behalf of The Trustees of the Mass Observation Archive © The Trustees of the Mass Observation Archive.

7.7  Notes on patterns in the Fulham Social Survey. Reproduced with permission of Curtis Brown Group Ltd, London on behalf of The Trustees of the Mass Observation Archive © The Trustees of the Mass Observation Archive.

7.8  Illustrations of Buildings questionnaire in the Fulham Social Survey. Reproduced with permission of Curtis Brown Group Ltd, London on behalf of The Trustees of the Mass Observation Archive © The Trustees of the Mass Observation Archive.

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