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The Afterlife of Apuleius: Copyright

The Afterlife of Apuleius
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table of contents
  1. Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. Notes on Contributors
  6. F. Bistagne, C. Boidin, and R. Mouren Preface and acknowledgements
  7. Apuleius’ travels: historical and geographical diffusion
    1. Robert H. F. Carver The medieval Ass: re-evaluating the reception of Apuleius in the High Middle Ages
    2. Andrew Laird The White Goddess in Mexico: Apuleius, Isis, and the Virgin of Guadalupe in Latin, Spanish, and Nahuatl sources
    3. Carole Boidin The Ass goes east: Apuleius and orientalism
  8. The afterlife of Psyche
    1. Julia Haig Gaisser How to tell the story of Cupid and Psyche: from Fulgentius to Galeotto Del Corretto
    2. Igor Candido Psyche’s textual journey from Apuleius to Boccaccio and Petrarch
    3. Stephen Harrison An Apuleian masque? Thomas Heywood’s Love’s Mistress (1634)
    4. Regine May Echoes of Apuleius’ novel in Mary Tighe’s Psyche: Romantic imagination and self-fashioning
  9. A fashionable model? Formal patterns and literary values
    1. Ahuvia Kahane Apuleius and Martianus Capella: reception, pedagogy, and the dialectics of canon
    2. Françoise Lavocat A translation of Apuleius’ Metamorphoses and the debate about fiction in the sixteenth century: L’asino d’oro by Agnolo Firenzuola (1550)
    3. Loreto Núñez Apuleius’ Ass and Cervantes’ Dogs in dialogue
  10. A braying style: lexicographic approaches
    1. Clementina Marsico ‘He does not speak golden words: he brays.’ Apuleius’ style and the humanistic lexicography
    2. Andrea Severi The Golden Ass under the lens of the ‘Bolognese Commentator’: Lucius Apuleius and Filippo Beroaldo

The cover image shows an initial letter from a manuscript in the Vatican Library: Vat. Lat. 2194, p. 65 v. Used with permission.

ISBN 978-1-905670-88-8 (paperback)

ISBN 978-1-905670-95-6 (PDF)

ISBN 978-1-905670-96-3 (epub)

© 2021 Institute of Classical Studies, University of London.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher.

The right of the contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs, and Patents Act 1988.

Designed and typeset at the Institute of Classical Studies, University of London.

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