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Voice, Silence and Gender in South Africa’s Anti-Apartheid Struggle: Contents

Voice, Silence and Gender in South Africa’s Anti-Apartheid Struggle
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Notes

table of contents
  1. Cover
  2. Series
  3. Title
  4. Copyright
  5. Dedication
  6. Contents
  7. Acknowledgements
  8. Abbreviations
  9. Introduction: the shadow of a young woman
  10. 1.  A methodology for fragments: voice, speech and silence
  11. 2.  The Soweto Eleven and the sayable: speaking about the struggle
  12. 3.  Witnessing, detention and silence: speech as struggle
  13. 4.  Stories of life and death: the struggle to speak
  14. Conclusion: shadow histories
  15. Bibliography
  16. Index

Contents

  1. Acknowledgements
  2. Abbreviations
  3. Introduction: the shadow of a young woman
  4. Young women in the liberation struggle
  5. Picturing the struggle
  6. Notes
  7. 1.  A methodology for fragments: voice, speech and silence
  8. Introduction
  9. Voice
  10. Speech
  11. Silence
  12. Conclusions
  13. Notes
  14. 2.  The Soweto Eleven and the sayable: speaking about the struggle
  15. Introduction
  16. Speaking about the struggle
  17. Youth on trial
  18. The sayable
  19. A popular house
  20. Being heard from the margins
  21. Silence in court
  22. Conclusions
  23. Notes
  24. 3.  Witnessing, detention and silence: speech as struggle
  25. Introduction
  26. Trial by talk
  27. Silent witnesses
  28. ‘Well, I decided to talk’
  29. Beauty queens and the struggle
  30. Conclusions
  31. Notes
  32. 4.  Stories of life and death: the struggle to speak
  33. Introduction
  34. Speaking up
  35. Parade of violence
  36. Breaking silence
  37. Emergent voices
  38. Speaking of detention
  39. Makhoere in ‘mid-air’
  40. From repression to expression
  41. Lists of death
  42. ‘The documentary history of the youth by the youth’
  43. ‘Modise has spoken out’
  44. Conclusions
  45. Notes
  46. Conclusion: shadow histories
  47. Image and word
  48. Telling stories differently
  49. The fragment
  50. Notes
  51. Bibliography
  52. Index

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© Rachel Johnson 2025
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