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Precarious Professionals: Gender, Identities and Social Change in Modern Britain: Series Page

Precarious Professionals: Gender, Identities and Social Change in Modern Britain
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table of contents
  1. Cover
  2. Series Page
  3. Title
  4. Copyright
  5. Contents
  6. Acknowledgements
  7. List of Figures
  8. Notes on Contributors
  9. Introduction
  10. 1. Anna Jameson and the Claims of Art Criticism in Nineteenth-Century England
  11. 2. Women, Science and Professional Identity, c.1860–1914
  12. 3. Brother Barristers: Masculinity and the Culture of the Victorian Bar
  13. 4. Legal Paperwork and Public Policy: Eliza Orme’s Professional Expertise in Late-Victorian Britain
  14. 5. Marriage and Metalwork: Gender and Professional Status in Edith and Nelson Dawson’s Arts and Crafts Partnership
  15. 6. ‘Giggling Adolescents’ to Refugees, Bullets and Wolves: Francesca Wilson Finds a Profession
  16. 7. Women at Work in the League of Nations Secretariat
  17. 8. Ninette de Valois and the Transformation of Early-Twentieth-Century British Ballet
  18. 9. Archives, Autobiography and the Professional Woman: The Personal Papers of Mary Agnes Hamilton
  19. 10. Women Historians in the Twentieth Century
  20. 11. Feminism, Selfhood and Social Research: Professional Women’s Organizations in 1960s Britain
  21. 12. The ‘Spotting a Homosexual Checklist’: Masculinity, Homosexuality and the British Foreign Office, 1965–70
  22. Afterword
  23. Index

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New Historical Perspectives is a book series for early career scholars within the UK and the Republic of Ireland. Books in the series are overseen by an expert editorial board to ensure the highest standards of peer-reviewed scholarship. Commissioning and editing is undertaken by the Royal Historical Society, and the series is published under the imprint of the Institute of Historical Research by the University of London Press.

The series is supported by the Economic History Society and the Past and Present Society.

Series co-editors: Heather Shore (Manchester Metropolitan University) and Elizabeth Hurren (University of Leicester)

Founding co-editors: Simon Newman (University of Glasgow) and Penny Summerfield (University of Manchester)

New Historical Perspectives Editorial Board

Charlotte Alston, Northumbria University

David Andress, University of Portsmouth

Philip Carter, Royal Historical Society

Ian Forrest, University of Oxford

Leigh Gardner, London School of Economics

Tim Harper, University of Cambridge

Guy Rowlands, University of St Andrews

Alec Ryrie, Durham University

Richard Toye, University of Exeter

Natalie Zacek, University of Manchester

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