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Precarious Professionals: Gender, Identities and Social Change in Modern Britain: Copyright

Precarious Professionals: Gender, Identities and Social Change in Modern Britain
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table of contents
  1. Cover
  2. Series Page
  3. Title
  4. Copyright
  5. Contents
  6. Acknowledgements
  7. List of Figures
  8. Notes on Contributors
  9. Introduction
  10. 1. Anna Jameson and the Claims of Art Criticism in Nineteenth-Century England
  11. 2. Women, Science and Professional Identity, c.1860–1914
  12. 3. Brother Barristers: Masculinity and the Culture of the Victorian Bar
  13. 4. Legal Paperwork and Public Policy: Eliza Orme’s Professional Expertise in Late-Victorian Britain
  14. 5. Marriage and Metalwork: Gender and Professional Status in Edith and Nelson Dawson’s Arts and Crafts Partnership
  15. 6. ‘Giggling Adolescents’ to Refugees, Bullets and Wolves: Francesca Wilson Finds a Profession
  16. 7. Women at Work in the League of Nations Secretariat
  17. 8. Ninette de Valois and the Transformation of Early-Twentieth-Century British Ballet
  18. 9. Archives, Autobiography and the Professional Woman: The Personal Papers of Mary Agnes Hamilton
  19. 10. Women Historians in the Twentieth Century
  20. 11. Feminism, Selfhood and Social Research: Professional Women’s Organizations in 1960s Britain
  21. 12. The ‘Spotting a Homosexual Checklist’: Masculinity, Homosexuality and the British Foreign Office, 1965–70
  22. Afterword
  23. Index

Published by

UNIVERSITY OF LONDON PRESS

SCHOOL OF ADVANCED STUDY

INSTITUTE OF HISTORICAL RESEARCH

Senate House, Malet Street, London WC1E 7HY

© The contributors 2021

The authors have asserted their right under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work.

This book is published under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. More information regarding CC licences is available at https://creativecommons.org/licenses.

Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information is provided alongside each image.

Available to download free or to purchase the hard copy edition at https://www.sas.ac.uk/publications.

ISBNs

978-1-912702-60-2 (paperback edition)

978-1-912702-59-6 (hardback edition)

978-1-912702-61-9 (epub edition)

978-1-912702-62-6 (Kindle edition)

978-1-912702-63-3 (pdf edition)

image

Cover image: Royal Ballet School rehearsing at the Jubilee Hall for 4 July performances, Aldeburgh Festival 1961. © Walter Rawlings/ Mary Evans Picture Library

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