Skip to main content

Artificial Intelligence, Art and Indigeneity: Series Page

Artificial Intelligence, Art and Indigeneity
Series Page
  • Show the following:

    Annotations
    Resources
  • Adjust appearance:

    Font
    Font style
    Color Scheme
    Light
    Dark
    Annotation contrast
    Low
    High
    Margins
  • Search within:
    • My Notes + Comments
    • Notifications
    • Privacy
  • Project HomeArtificial Intelligence, Art and Indigeneity
  • Projects
  • Learn more about Manifold

Notes

table of contents
  1. Praise Page
  2. Understanding Languages, Cultures and Societies
  3. Title Page
  4. Copyright
  5. Dedication
  6. Contents
  7. List of figures
  8. Notes on contributors
  9. Acknowledgements
  10. Introduction
    1. Notes
  11. Part I: AI, Art and Indigeneity
    1. 1. AI and art
      1. Notes
    2. 2. Indigenous AI
      1. Notes
    3. 3. Indigenous art and AI
      1. Notes
    4. 4. Indigenous AI and art in a Latin American context
      1. Notes
    5. 5. A timeline of AIAI
      1. Notes
    6. 6. Methodology
      1. Notes
  12. Part II: Between Dreams and Hallucinations
    1. 7. Autenticidad creativa y sensibilidad visual artificial Creative authenticity and artificial visual sensibility
      1. Notes
    2. 8. Inteligencia Artificial o los artificios de la inteligencia Artificial Intelligence or the artifices of intelligence
      1. Notes
    3. 9. Desde una cuenta propia hasta un modelo propio From an account of one’s own to a model of one’s own
      1. Una cuenta propia
      2. Un modelo propio
      3. An account of one’s own
      4. A model of one’s own
    4. 10. A Inteligência Artificial e a cosmofloresta, e Representando os parentes e os encantados com IA Artificial Intelligence and the cosmoforest, and Representing Indigenous kin and our spiritual beings with AI
      1. A Inteligência Artificial e a cosmofloresta
        1. Cosmofloresta: uma visão envolvente da natureza
        2. A Inteligência Artificial ao serviço da cosmofloresta
        3. Geração de imagens por algoritmos: uma ponte visual
      2. Representando os parentes e os encantados com IA
      3. AI and the cosmoforest
        1. The cosmoforest: an enveloping vision of nature
        2. Artificial Intelligence in the service of the cosmoforest
        3. Algorithmic image generation: a visual bridge
      4. Representing Indigenous kin and our spiritual beings with AI
      5. Notes
    5. 11. Hasta sueño con la IA I even dream about AI
      1. Notes
    6. 12. Nikiékliwahi e o espírito da máquina, e Realismo digital indígena Nikiékliwahi and the spirit of the machine, and Indigenous digital realism
      1. Nikiékliwahi e o espírito da máquina
      2. Realismo digital indígena
      3. Nikiékliwahi and the spirit of the machine
      4. Indigenous digital realism
      5. Notes
  13. Part III: Generative Thoughts
    1. 13. A genealogy of stereotypes: the representation of Indigenous Peoples with generative AI
      1. Mise-en-scène
      2. The pose and the screen
      3. The ethnic scene
      4. Under-representation
      5. Notes
    2. 14. Drawing the line: creativity, censorship and copyright in Indigenous engagement with AI image-generation tools
      1. Creativity
      2. Censorship
      3. Copyright
      4. Notes
    3. 15. Dragon dreaming: notes on methodology for the collaborative design of an Indigenous image-generation prototype
      1. Leeds workshop 1: broken
      2. The past is ahead of us (field note)
      3. Commission for the prototype
      4. Methodology: to hold a space
      5. Leeds workshop 2: risk and ritual
      6. Holding your words in my mouth (field note)
      7. Leeds workshop 3: What do you mean by ‘intelligence’?
      8. Listening through my eyes (field note)
      9. Leeds workshop 4: What are your dreams?
      10. A model and a dog
      11. Prisoners of science (field note)
      12. Leeds city market and the global circulation of images of Indigeneity
      13. Indigenous data security
      14. Final thoughts: AI and Indigenous epistemologies
      15. Notes
    4. 16. Algorithmic Indigeneity, Indigenous textiles and future imaginaries
      1. Algorithmic logic in Indigenous cultures
      2. Indigenous textiles in AI
      3. Indigenous future imaginaries in AI
      4. Notes
    5. 17. Artificial Intelligence, appropriation, ancestrality and Buen Vivir
      1. Indigenous Appropriation of Artificial Intelligence (Sebastián Gerlic)
      2. Ancestral Intelligence (Sebastián Gerlic)
      3. Digital Buen Vivir (Alex Potiguara)
      4. Notes
    6. 18. Is it art? Exhibiting the AIAI project
      1. The Generative Fictions Exhibition: Words, Images and Territories (Sandra De Berduccy)
      2. Science Week at the National Botanic Gardens of Ireland (Andreas Rauh)
      3. Notes
    7. Conclusion
      1. Epistemologies, creativity and authorship
      2. Languages and translations
      3. Data sovereignty and cultural stewardship
      4. Environmental (un)sustainability and the limits of generative AI
      5. AI (counter)hegemony and the limits of decolonising Indigenous AI
      6. Ancestrality and AI
  14. Bibliography
  15. Index

‘Artificial Intelligence, Art and Indigeneity deftly explores the tensions, contradictions and creative possibilities that arise when hegemonic AI technologies are reappropriated in the service of Indigenous and decolonial imaginaries. Creative in its methodology and writing, it is a valuable resource for scholars of Latin American visual culture, critical Indigenous studies and digital humanities methods.’

— Sarah Abel, Assistant Professor in Philosophy of Science, Universidad Nacional Autónoma de México

‘This book is compelling in its presentation of the challenges posed by generative Artificial Intelligence in relation to art, identity, and Indigenous epistemologies. I consider it especially important that the text advocates for Indigenous peoples to participate in the development of these technologies rather than being treated merely as objects of study.

This emphasis on Indigenous agency points towards what I see as the next crucial stage of research and development: creating knowledge bases produced by Indigenous people themselves. The Etnias social network was created with this purpose, bringing together a wide range of Indigenous-authored materials. At a time when much online information about Indigenous Peoples is shaped by non-Indigenous perspectives, initiatives such as Etnias can help ensure that future AI systems more accurately reflect the diversity and reality of Indigenous peoples.’

‘A leitura desse livro me pareceu muito consistente ao apresentar os desafios da Inteligência Artificial generativa em relação à arte, à identidade e às epistemologias indígenas. Considero especialmente importante a defesa de que os povos indígenas participem da construção dessas tecnologias e não sejam apenas objetos de estudo.

Essa ênfase na agência indígena aponta para o que considero ser a próxima etapa fundamental da pesquisa e do desenvolvimento: a construção de bases de conhecimento produzidas por indígenas. A rede social Etnias foi criada com esse propósito, reunindo uma ampla variedade de materiais produzidos por autores indígenas. Em um contexto em que grande parte das informações disponíveis online sobre os Povos Indígenas é moldada por perspectivas não indígenas, iniciativas como a Etnias podem contribuir para que futuros sistemas de inteligência artificial reflitam de forma mais fiel a diversidade e a realidade dos povos indígenas.’

— Karuãn Tenteneady, Indigenous systems development technologist and creator of the social network Etnias (www.etnias.site), Brazil

‘A pioneering work grounded in Indigenous epistemologies. Through real-world experimentation, its authors – academics, artists, and activists – demonstrate that AI fails to grasp their cosmovisions, and that true inclusion requires more than adding data or refining prompts. A living archive of resistance, media appropriation, and indispensable decolonial and technological critique from Latin America.’

‘Una obra pionera fundamentada en epistemologías indígenas. Mediante la experimentación real, los autores, quienes son académicos, artistas y activistas, demuestran que la IA no comprende sus cosmovisiones y que la verdadera inclusión no se logra ni añadiendo más datos ni refinando los prompts. Un archivo vivo de resistencia, apropiación mediática e indispensable crítica decolonial y tecnológica desde América Latina.’

— Rubria Rocha de Luna, Faculty in Digital Humanities, Tecnológico de Monterrey, Mexico

Annotate

Next Chapter
Understanding Languages, Cultures and Societies
PreviousNext
This work is licensed under a Creative Commons Attribution-Noncommercial-Nonderivatives 4.0 International (CC BY-NC-ND 4.0) license.
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org