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Artificial Intelligence, Art and Indigeneity: Part III: Generative Thoughts
Artificial Intelligence, Art and Indigeneity
Part III: Generative Thoughts
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Artificial Intelligence, Art and Indigeneity
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table of contents
Praise Page
Understanding Languages, Cultures and Societies
Title Page
Copyright
Dedication
Contents
List of figures
Notes on contributors
Acknowledgements
Introduction
Notes
Part I: AI, Art and Indigeneity
1. AI and art
Notes
2. Indigenous AI
Notes
3. Indigenous art and AI
Notes
4. Indigenous AI and art in a Latin American context
Notes
5. A timeline of AIAI
Notes
6. Methodology
Notes
Part II: Between Dreams and Hallucinations
7. Autenticidad creativa y sensibilidad visual artificial Creative authenticity and artificial visual sensibility
Notes
8. Inteligencia Artificial o los artificios de la inteligencia Artificial Intelligence or the artifices of intelligence
Notes
9. Desde una cuenta propia hasta un modelo propio From an account of one’s own to a model of one’s own
Una cuenta propia
Un modelo propio
An account of one’s own
A model of one’s own
10. A Inteligência Artificial e a cosmofloresta, e Representando os parentes e os encantados com IA Artificial Intelligence and the cosmoforest, and Representing Indigenous kin and our spiritual beings with AI
A Inteligência Artificial e a cosmofloresta
Cosmofloresta: uma visão envolvente da natureza
A Inteligência Artificial ao serviço da cosmofloresta
Geração de imagens por algoritmos: uma ponte visual
Representando os parentes e os encantados com IA
AI and the cosmoforest
The cosmoforest: an enveloping vision of nature
Artificial Intelligence in the service of the cosmoforest
Algorithmic image generation: a visual bridge
Representing Indigenous kin and our spiritual beings with AI
Notes
11. Hasta sueño con la IA I even dream about AI
Notes
12. Nikiékliwahi e o espírito da máquina, e Realismo digital indígena Nikiékliwahi and the spirit of the machine, and Indigenous digital realism
Nikiékliwahi e o espírito da máquina
Realismo digital indígena
Nikiékliwahi and the spirit of the machine
Indigenous digital realism
Notes
Part III: Generative Thoughts
13. A genealogy of stereotypes: the representation of Indigenous Peoples with generative AI
Mise-en-scène
The pose and the screen
The ethnic scene
Under-representation
Notes
14. Drawing the line: creativity, censorship and copyright in Indigenous engagement with AI image-generation tools
Creativity
Censorship
Copyright
Notes
15. Dragon dreaming: notes on methodology for the collaborative design of an Indigenous image-generation prototype
Leeds workshop 1: broken
The past is ahead of us (field note)
Commission for the prototype
Methodology: to hold a space
Leeds workshop 2: risk and ritual
Holding your words in my mouth (field note)
Leeds workshop 3: What do you mean by ‘intelligence’?
Listening through my eyes (field note)
Leeds workshop 4: What are your dreams?
A model and a dog
Prisoners of science (field note)
Leeds city market and the global circulation of images of Indigeneity
Indigenous data security
Final thoughts: AI and Indigenous epistemologies
Notes
16. Algorithmic Indigeneity, Indigenous textiles and future imaginaries
Algorithmic logic in Indigenous cultures
Indigenous textiles in AI
Indigenous future imaginaries in AI
Notes
17. Artificial Intelligence, appropriation, ancestrality and Buen Vivir
Indigenous Appropriation of Artificial Intelligence (Sebastián Gerlic)
Ancestral Intelligence (Sebastián Gerlic)
Digital Buen Vivir (Alex Potiguara)
Notes
18. Is it art? Exhibiting the AIAI project
The Generative Fictions Exhibition: Words, Images and Territories (Sandra De Berduccy)
Science Week at the National Botanic Gardens of Ireland (Andreas Rauh)
Notes
Conclusion
Epistemologies, creativity and authorship
Languages and translations
Data sovereignty and cultural stewardship
Environmental (un)sustainability and the limits of generative AI
AI (counter)hegemony and the limits of decolonising Indigenous AI
Ancestrality and AI
Bibliography
Index
About This Text
Part III
GENERATIVE THOUGHTS
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