Skip to main content

Artificial Intelligence, Art and Indigeneity: Understanding Languages, Cultures and Societies

Artificial Intelligence, Art and Indigeneity
Understanding Languages, Cultures and Societies
  • Show the following:

    Annotations
    Resources
  • Adjust appearance:

    Font
    Font style
    Color Scheme
    Light
    Dark
    Annotation contrast
    Low
    High
    Margins
  • Search within:
    • My Notes + Comments
    • Notifications
    • Privacy
  • Project HomeArtificial Intelligence, Art and Indigeneity
  • Projects
  • Learn more about Manifold

Notes

table of contents
  1. Praise Page
  2. Understanding Languages, Cultures and Societies
  3. Title Page
  4. Copyright
  5. Dedication
  6. Contents
  7. List of figures
  8. Notes on contributors
  9. Acknowledgements
  10. Introduction
    1. Notes
  11. Part I: AI, Art and Indigeneity
    1. 1. AI and art
      1. Notes
    2. 2. Indigenous AI
      1. Notes
    3. 3. Indigenous art and AI
      1. Notes
    4. 4. Indigenous AI and art in a Latin American context
      1. Notes
    5. 5. A timeline of AIAI
      1. Notes
    6. 6. Methodology
      1. Notes
  12. Part II: Between Dreams and Hallucinations
    1. 7. Autenticidad creativa y sensibilidad visual artificial Creative authenticity and artificial visual sensibility
      1. Notes
    2. 8. Inteligencia Artificial o los artificios de la inteligencia Artificial Intelligence or the artifices of intelligence
      1. Notes
    3. 9. Desde una cuenta propia hasta un modelo propio From an account of one’s own to a model of one’s own
      1. Una cuenta propia
      2. Un modelo propio
      3. An account of one’s own
      4. A model of one’s own
    4. 10. A Inteligência Artificial e a cosmofloresta, e Representando os parentes e os encantados com IA Artificial Intelligence and the cosmoforest, and Representing Indigenous kin and our spiritual beings with AI
      1. A Inteligência Artificial e a cosmofloresta
        1. Cosmofloresta: uma visão envolvente da natureza
        2. A Inteligência Artificial ao serviço da cosmofloresta
        3. Geração de imagens por algoritmos: uma ponte visual
      2. Representando os parentes e os encantados com IA
      3. AI and the cosmoforest
        1. The cosmoforest: an enveloping vision of nature
        2. Artificial Intelligence in the service of the cosmoforest
        3. Algorithmic image generation: a visual bridge
      4. Representing Indigenous kin and our spiritual beings with AI
      5. Notes
    5. 11. Hasta sueño con la IA I even dream about AI
      1. Notes
    6. 12. Nikiékliwahi e o espírito da máquina, e Realismo digital indígena Nikiékliwahi and the spirit of the machine, and Indigenous digital realism
      1. Nikiékliwahi e o espírito da máquina
      2. Realismo digital indígena
      3. Nikiékliwahi and the spirit of the machine
      4. Indigenous digital realism
      5. Notes
  13. Part III: Generative Thoughts
    1. 13. A genealogy of stereotypes: the representation of Indigenous Peoples with generative AI
      1. Mise-en-scène
      2. The pose and the screen
      3. The ethnic scene
      4. Under-representation
      5. Notes
    2. 14. Drawing the line: creativity, censorship and copyright in Indigenous engagement with AI image-generation tools
      1. Creativity
      2. Censorship
      3. Copyright
      4. Notes
    3. 15. Dragon dreaming: notes on methodology for the collaborative design of an Indigenous image-generation prototype
      1. Leeds workshop 1: broken
      2. The past is ahead of us (field note)
      3. Commission for the prototype
      4. Methodology: to hold a space
      5. Leeds workshop 2: risk and ritual
      6. Holding your words in my mouth (field note)
      7. Leeds workshop 3: What do you mean by ‘intelligence’?
      8. Listening through my eyes (field note)
      9. Leeds workshop 4: What are your dreams?
      10. A model and a dog
      11. Prisoners of science (field note)
      12. Leeds city market and the global circulation of images of Indigeneity
      13. Indigenous data security
      14. Final thoughts: AI and Indigenous epistemologies
      15. Notes
    4. 16. Algorithmic Indigeneity, Indigenous textiles and future imaginaries
      1. Algorithmic logic in Indigenous cultures
      2. Indigenous textiles in AI
      3. Indigenous future imaginaries in AI
      4. Notes
    5. 17. Artificial Intelligence, appropriation, ancestrality and Buen Vivir
      1. Indigenous Appropriation of Artificial Intelligence (Sebastián Gerlic)
      2. Ancestral Intelligence (Sebastián Gerlic)
      3. Digital Buen Vivir (Alex Potiguara)
      4. Notes
    6. 18. Is it art? Exhibiting the AIAI project
      1. The Generative Fictions Exhibition: Words, Images and Territories (Sandra De Berduccy)
      2. Science Week at the National Botanic Gardens of Ireland (Andreas Rauh)
      3. Notes
    7. Conclusion
      1. Epistemologies, creativity and authorship
      2. Languages and translations
      3. Data sovereignty and cultural stewardship
      4. Environmental (un)sustainability and the limits of generative AI
      5. AI (counter)hegemony and the limits of decolonising Indigenous AI
      6. Ancestrality and AI
  14. Bibliography
  15. Index

Understanding Languages, Cultures and Societies

Understanding Languages, Cultures and Societies is an open access book series that supports and advances the integrated study of languages, cultures, and societies. Published in association with the Institute of Languages, Cultures and Societies (ILCS), one of the principal goals of the series is to demonstrate the subject area’s significant contribution to addressing questions of current global concern. Proposals are welcomed for the series that focus on any geographical area or time period and engage with one or more of the following interrelated aims:

  1. To explore issues of cultural and/or societal importance;
  2. To foster and promote cross-language and cross-cultural study;
  3. To chart new directions in the broadly-defined disciplinary field of Languages, Cultures and Societies.

Emphasising the interconnected nature of linguistic, cultural and social inquiry, the series encourages work that crosses disciplinary boundaries, engages with other areas of the educational and research landscape, and connects with creative practice. Understanding Languages, Cultures and Societies tackles issues that are at the core of the subject area’s knowledge production, serving both as a means for disseminating new, original research and as a catalyst for developing innovative research agendas.

Series Editors

Charles Burdett, Director; Joseph Ford, Senior Lecturer in French Studies; Godela Weiss-Sussex, Professor Emerita of Modern German Literature; and Naomi Wells, Senior Lecturer in Languages and Digital Humanities, ILCS, School of Advanced Study, University of London, UK

Editorial Advisory Board

Wendy Ayres-Bennett, University of Cambridge, UK

Connor Doak, University of Bristol, UK

Yasser Elhariry, Dartmouth College, USA

Sara Jones, University of Birmingham, UK

Lisa Panford, St Mary’s University, UK

SA Smythe, University of Toronto, Canada

Claire Taylor, University of Liverpool, UK

Michael Tsang, Birkbeck, University of London, UK

Annotate

Next Chapter
Title Page
PreviousNext
This work is licensed under a Creative Commons Attribution-Noncommercial-Nonderivatives 4.0 International (CC BY-NC-ND 4.0) license.
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org