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Artificial Intelligence, Art and Indigeneity
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Notes

table of contents
  1. Praise Page
  2. Understanding Languages, Cultures and Societies
  3. Title Page
  4. Copyright
  5. Dedication
  6. Contents
  7. List of figures
  8. Notes on contributors
  9. Acknowledgements
  10. Introduction
    1. Notes
  11. Part I: AI, Art and Indigeneity
    1. 1. AI and art
      1. Notes
    2. 2. Indigenous AI
      1. Notes
    3. 3. Indigenous art and AI
      1. Notes
    4. 4. Indigenous AI and art in a Latin American context
      1. Notes
    5. 5. A timeline of AIAI
      1. Notes
    6. 6. Methodology
      1. Notes
  12. Part II: Between Dreams and Hallucinations
    1. 7. Autenticidad creativa y sensibilidad visual artificial Creative authenticity and artificial visual sensibility
      1. Notes
    2. 8. Inteligencia Artificial o los artificios de la inteligencia Artificial Intelligence or the artifices of intelligence
      1. Notes
    3. 9. Desde una cuenta propia hasta un modelo propio From an account of one’s own to a model of one’s own
      1. Una cuenta propia
      2. Un modelo propio
      3. An account of one’s own
      4. A model of one’s own
    4. 10. A Inteligência Artificial e a cosmofloresta, e Representando os parentes e os encantados com IA Artificial Intelligence and the cosmoforest, and Representing Indigenous kin and our spiritual beings with AI
      1. A Inteligência Artificial e a cosmofloresta
        1. Cosmofloresta: uma visão envolvente da natureza
        2. A Inteligência Artificial ao serviço da cosmofloresta
        3. Geração de imagens por algoritmos: uma ponte visual
      2. Representando os parentes e os encantados com IA
      3. AI and the cosmoforest
        1. The cosmoforest: an enveloping vision of nature
        2. Artificial Intelligence in the service of the cosmoforest
        3. Algorithmic image generation: a visual bridge
      4. Representing Indigenous kin and our spiritual beings with AI
      5. Notes
    5. 11. Hasta sueño con la IA I even dream about AI
      1. Notes
    6. 12. Nikiékliwahi e o espírito da máquina, e Realismo digital indígena Nikiékliwahi and the spirit of the machine, and Indigenous digital realism
      1. Nikiékliwahi e o espírito da máquina
      2. Realismo digital indígena
      3. Nikiékliwahi and the spirit of the machine
      4. Indigenous digital realism
      5. Notes
  13. Part III: Generative Thoughts
    1. 13. A genealogy of stereotypes: the representation of Indigenous Peoples with generative AI
      1. Mise-en-scène
      2. The pose and the screen
      3. The ethnic scene
      4. Under-representation
      5. Notes
    2. 14. Drawing the line: creativity, censorship and copyright in Indigenous engagement with AI image-generation tools
      1. Creativity
      2. Censorship
      3. Copyright
      4. Notes
    3. 15. Dragon dreaming: notes on methodology for the collaborative design of an Indigenous image-generation prototype
      1. Leeds workshop 1: broken
      2. The past is ahead of us (field note)
      3. Commission for the prototype
      4. Methodology: to hold a space
      5. Leeds workshop 2: risk and ritual
      6. Holding your words in my mouth (field note)
      7. Leeds workshop 3: What do you mean by ‘intelligence’?
      8. Listening through my eyes (field note)
      9. Leeds workshop 4: What are your dreams?
      10. A model and a dog
      11. Prisoners of science (field note)
      12. Leeds city market and the global circulation of images of Indigeneity
      13. Indigenous data security
      14. Final thoughts: AI and Indigenous epistemologies
      15. Notes
    4. 16. Algorithmic Indigeneity, Indigenous textiles and future imaginaries
      1. Algorithmic logic in Indigenous cultures
      2. Indigenous textiles in AI
      3. Indigenous future imaginaries in AI
      4. Notes
    5. 17. Artificial Intelligence, appropriation, ancestrality and Buen Vivir
      1. Indigenous Appropriation of Artificial Intelligence (Sebastián Gerlic)
      2. Ancestral Intelligence (Sebastián Gerlic)
      3. Digital Buen Vivir (Alex Potiguara)
      4. Notes
    6. 18. Is it art? Exhibiting the AIAI project
      1. The Generative Fictions Exhibition: Words, Images and Territories (Sandra De Berduccy)
      2. Science Week at the National Botanic Gardens of Ireland (Andreas Rauh)
      3. Notes
    7. Conclusion
      1. Epistemologies, creativity and authorship
      2. Languages and translations
      3. Data sovereignty and cultural stewardship
      4. Environmental (un)sustainability and the limits of generative AI
      5. AI (counter)hegemony and the limits of decolonising Indigenous AI
      6. Ancestrality and AI
  14. Bibliography
  15. Index

Contents

  1. List of figures
  2. Notes on contributors
  3. Acknowledgements
  4. Introduction
  5. Thea Pitman, Sandra De Berduccy and Andreas Rauh
  6. Notes
  7. Part I AI, Art and Indigeneity
  8. 1. AI and art
  9. Thea Pitman
  10. Notes
  11. 2. Indigenous AI
  12. Thea Pitman
  13. Notes
  14. 3. Indigenous art and AI
  15. Thea Pitman
  16. Notes
  17. 4. Indigenous AI and art in a Latin American context
  18. Thea Pitman
  19. Notes
  20. 5. A timeline of AIAI
  21. Thea Pitman
  22. Notes
  23. 6. Methodology
  24. Thea Pitman
  25. Notes
  26. Part II Between Dreams and Hallucinations
  27. 7. Autenticidad creativa y sensibilidad visual artificial Creative authenticity and artificial visual sensibility
  28. Azul–Nicolás Jiménez Reyes
  29. Notes
  30. 8. Inteligencia Artificial o los artificios de la inteligencia Artificial Intelligence or the artifices of intelligence
  31. Lucian de Silenttio
  32. Notes
  33. 9. Desde una cuenta propia hasta un modelo propio From an account of one’s own to a model of one’s own
  34. Haylly Zamora Aray
  35. Una cuenta propia
  36. Un modelo propio
  37. An account of one’s own
  38. A model of one’s own
  39. 10. A Inteligência Artificial e a cosmofloresta, e Representando os parentes e os encantados com IA Artificial Intelligence and the cosmoforest, and Representing Indigenous kin and our spiritual beings with AI
  40. Tadeu Kaingang
  41. A Inteligência Artificial e a cosmofloresta1
  42. Cosmofloresta: uma visão envolvente da natureza
  43. A Inteligência Artificial ao serviço da cosmofloresta
  44. Geração de imagens por algoritmos: uma ponte visual
  45. Representando os parentes e os encantados com IA4
  46. AI and the cosmoforest6
  47. The cosmoforest: an enveloping vision of nature
  48. Artificial Intelligence in the service of the cosmoforest
  49. Algorithmic image generation: a visual bridge
  50. Representing Indigenous kin and our spiritual beings with AI9
  51. Notes
  52. 11. Hasta sueño con la IA I even dream about AI
  53. Mariela Tulián
  54. Notes
  55. 12. Nikiékliwahi e o espírito da máquina, e Realismo digital indígena Nikiékliwahi and the spirit of the machine, and Indigenous digital realism
  56. Nhenety Kariri-Xocó
  57. Nikiékliwahi e o espírito da máquina1
  58. Realismo digital indígena
  59. Nikiékliwahi and the spirit of the machine5
  60. Indigenous digital realism
  61. Notes
  62. Part III Generative Thoughts
  63. 13. A genealogy of stereotypes: the representation of Indigenous Peoples with generative AI
  64. Sandra De Berduccy
  65. Mise-en-scène
  66. The pose and the screen
  67. The ethnic scene
  68. Under-representation
  69. Notes
  70. 14. Drawing the line: creativity, censorship and copyright in Indigenous engagement with AI image-generation tools
  71. Thea Pitman
  72. Creativity
  73. Censorship
  74. Copyright
  75. Notes
  76. 15. Dragon dreaming: notes on methodology for the collaborative design of an Indigenous image-generation prototype
  77. Dave Lynch and Sam Hallas
  78. Leeds workshop 1: broken
  79. The past is ahead of us (field note)
  80. Commission for the prototype
  81. Methodology: to hold a space
  82. Leeds workshop 2: risk and ritual
  83. Holding your words in my mouth (field note)
  84. Leeds workshop 3: What do you mean by ‘intelligence’?
  85. Listening through my eyes (field note)
  86. Leeds workshop 4: What are your dreams?
  87. A model and a dog
  88. Prisoners of science (field note)
  89. Leeds city market and the global circulation of images of Indigeneity
  90. Indigenous data security
  91. Final thoughts: AI and Indigenous epistemologies
  92. Notes
  93. 16. Algorithmic Indigeneity, Indigenous textiles and future imaginaries
  94. Sandra De Berduccy and Thea Pitman
  95. Algorithmic logic in Indigenous cultures
  96. Indigenous textiles in AI
  97. Indigenous future imaginaries in AI
  98. Notes
  99. 17. Artificial Intelligence, appropriation, ancestrality and Buen Vivir
  100. Sebastián Gerlic and Alex Potiguara
  101. Indigenous Appropriation of Artificial Intelligence (Sebastián Gerlic)
  102. Ancestral Intelligence (Sebastián Gerlic)
  103. Digital Buen Vivir (Alex Potiguara)
  104. Notes
  105. 18. Is it art? Exhibiting the AIAI project
  106. Sandra De Berduccy and Andreas Rauh
  107. The Generative Fictions Exhibition: Words, Images and Territories (Sandra De Berduccy)
  108. Science Week at the National Botanic Gardens of Ireland (Andreas Rauh)
  109. Notes
  110. Conclusion
  111. Andreas Rauh
  112. Epistemologies, creativity and authorship
  113. Languages and translations
  114. Data sovereignty and cultural stewardship
  115. Environmental (un)sustainability and the limits of generative AI
  116. AI (counter)hegemony and the limits of decolonising Indigenous AI
  117. Ancestrality and AI
  118. Bibliography
  119. Index

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